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High Horse

High Horse

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  • T Paulo Urcanse Prize For Literary Excellence
  • 3 poems by Christopher Law



    Poem written on a specific date

    It was sixteen it had only
    started becoming. The water flowed
    in to it freely. That was like me,
    you said. It was like that. I got lucky.

    Not to be explained but indulged. My head
    on my hand. Eyes on the page somehow,
    weirdly. Lean in and over.
    Fall as hard as you can.
    But for being twinned
    with all manners of Logic.

    Deepening your curtain, so
    deep. Depth of drop, length of fall.
    In-falling. The hands are only
    ever a gateway. Parallelism it is,
    it’s unfortunately a matter of surface.
    I’m with you. Lended for good, i.e.
    lost? Pull out the drawer and up
    comes the morning.

    The ground floor
    of a corner flat. Whippets
    Probably half-dead. Taking forever,
    growling at me. I’m finding out. No one’s
    in. Laser focus on the eyes. It’ll
    just get better and it did. Which means. Walking
    on the promenade, never finding it.

     


    c l aps

    c l aps
    opening off
    brickle shade off your
    arms, what your
    arms were holding. conviver.
    me a conniver.
    Everyone asking
    Shettleston I can never
    remember
    Because I live in the church
    Is the sky often
    One of the churches
    Like this and then you poked your
    Head through a big cloth
    Cloth as in vlog
    I kind of broke with

    Only so many
    Sprayed unevenly but
    Consistently, like a
    Bad life. Our cat. Hard to
    Get the good things
    And to remember
    Cycles of penalties, administered
    Life.


     


    Another poem written on a specific date

    Sixteen of one, the other doesn’t.
    Heft of scattering, a bit like mind volumes.
    Imagine overthinking ‘mind’ without
    definite article. Crossed the small road
    On a remembered run. Always losing
    the way. What am I doing and
    who am I? Just two questions. You
    can ask me more. An interesting thing about
    Me is that you can ask me more. Didn’t
    it close yesterday and if so what
    happened today? We’re far from the
    Origin and there is no origin: sad really.
    If you jump you can make it. Taking is
    or is not like hazarding. What would you
    say?

    Christopher Law is a writer living in Glasgow, Scotland. His critical writing has appeared in MAP magazine and Counterflows on Paper. His academic writing has appeared in journals including liquid blackness, Postmodern Culture and Modern Language Notes.

    March 4, 2026
    books, poem, Poems, Poetry, Writing

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